With the sound shaping tools, I can completely change the samples into something that sounds new. With all the things a sound designer can do it is a very powerful tool to someone who knows how to get deeper inside of it. I use this thing to sample and make beats quickly. So let me say, the 5000 is a very powerful sound shaping engine. But, since it Is up and I have had my 5000 for years and bought it new, and also still own and use a 1000″ and used to use a couple other akai boxes, I feel like my opinion matters. wavs to load into nuendo( with stem start points), and independant volume and effects control for programs….Please lord make this happenĪll blazes ancient comments, were addressed by akai. ill pay $500 for the ability to use multis, the smpte option(which has tighter timing than midi), the ability to save my vocal tracks as. im willing to pay for the add ons i need in my 5000….
cuz i am still and always will be an mpc user… ive had every machine except the 60 and im very surprised about all the stuff that should be in my unit….
i mean you cant even mix the piano patch, if you want reverb on the piano you have to go though 61 samples and manualy add effects to each pad… my 4000 is way better internally… i hope they just make a new op system that mimics the 4000 cuz i love the synth and the ability to record ruff ideas on the road and at home…i hope akai actually listens and trys to do something…. well im about to buy a rackmount motif so i can make this happen…. Wow… whoever thinks the five thousand is great is out of their minds, i have both the 4000 and the 5000, i use the 4 at my studio and the 5 at home, the 5 comes with a piano and string patch i cant even sequence with it the notes stop, yes the synths sound decent and i have wrote some nice stuff, but i bought the 5 so i could make full productions at home and sing and play gitar ideas in the unit.
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